Aiming for an absolute minimalistic experience by using only the 3 tunings base, 567/512, and 569/512 we started by finding a nice sample to play with. This sample is used in 2 different octaves and with different ADSRs, all in a minimal arrangement that is spiced with some delay and filter effects.
More on this 214th weekly Disquiet Junto project (“The Assignment: Bring to the fore the distinction between two specific microtones”) at:
disquiet.com/0214t.
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